Rabu, 31 Januari 2018

Watch It Chapter Two 2019 HD Stream

Watch It Chapter Two 2019 HD Stream









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Watch It Chapter Two 2019 HD Stream




Filmteam

Coordination art Department : Villey Brynn

Stunt coordinator : Ania Jaron

Script layout :Rosalyn Zaire

Pictures : Cochet Daval
Co-Produzent : Matheo Rideau

Executive producer : Donte Jaylyn

Director of supervisory art : Felipe Marg

Produce : Glass Adedeji

Manufacturer : Soumaya Milena

Actress : Merci Lakota



27 years after overcoming the malevolent supernatural entity Pennywise, the former members of the Losers' Club, who have grown up and moved away from Derry, are brought back together by a devastating phone call.

6.8
2633






Movie Title

It Chapter Two

Clock

116 seconds

Release

2019-09-04

Kuality

MPE 720p
BDRip

Categorie

Horror, Drama, Fantasy

language

English

castname

Reneya
Q.
Arletty, Clear C. Jacob, Febvre W. Valiron





Watch It Chapter Two 2019 HD Stream



Film kurz

Spent : $477,424,313

Income : $705,096,738

Categorie : Hölle - Vernachlässigung , Postapokalyptisch - Apology , Reden - Abtreibung , Sozialdrama - Skizzen

Production Country : Guinea

Production : Prod. GFP



‘It Chapter 2’ isn’t as stable or as refined a film as its predecessor, and while it feels lacking by comparison, it’s still far better than most studio horror films. It’s epic, ambitious, crazy, witty and unafraid to go for the heart as well as the throat. As a whole, this adaptation of maybe Stephen King’s greatest work feels singular in the landscape of modern horror cinema: two films built on strong interconnected relationships spread over decades, as sentimental as they are vicious, and executed on the scale of a fantasy epic. They also may be amongst the best adaptations of King’s work, understanding what makes his writing (and this novel in particular) so horrifying and so arresting, the human horror amongst the fantastical. Andy Muschietti aimed big with ‘It’, and even in the moments its reach exceeds its grasp, you’re still so glad it reached so high in the first place.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-it-chapter-2-the-ambitious-conclusion-to-the-beloved-horror-epic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

So, Chapter Two is a sequel to It (2017), and my expectations were a bit high. I really enjoyed the latter to the point of considering it one of the year’s best, as well as one of the best Stephen King cinematic adaptations. Andy Muschietti returning to the director’s chair and having such a fantastic cast portraying the adult versions of the Losers (not only in terms of quality acting but also regarding how well the adults look like the older versions of the young actors) are two of the main reasons why I was genuinely excited. Also, the runtime (longest horror movie ever?!) definitely left me wondering how a horror flick could have the same duration of some of the most epic films in cinema…

Well, I got to be honest: I’m disappointed. It’s not a bad movie, at all, but it doesn’t even come close to its predecessor’s heels. I disagree with some headlines I’ve read though. Some say the comedy was misplaced, taking away impact from emotional or dark moments. There’s barely a moment where it was expected seriousness and laughter kicked in instead, but when it does occur, it actually works. I just think it wasn’t as funny as the previous film, overall. Granted, Bill Hader as Richie Tozier is hilarious, and a perfect cast as an adult Finn Wolfhard. His chemistry with James Ransone (Eddie Kaspbrak) resembles the one Wolfhard, and Jack Dylan Grazer had, therefore this/these duo(s) being the comedy highlight.

Some say the movie is too long. Now, this is a tricky one. Usually, when people feel bored or not as entertained as they wanted to be, they tend to blame it on the film’s runtime, especially if it’s over 100 minutes. I agree that the movie FEELS long, but I disagree that the runtime is too long. There’s more than enough story to explore, and literally, every single character from the Losers Club has an interesting arc. The problem here is that not all of them are explored in a way that’s funny, scary, or just captivating enough. The fact that Jessica Chastain’s (Beverly Marsh) sequence with the old lady is entirely displayed in one of the trailers (and consequently shown at every single screening) doesn’t help the pacing.

The first act is pretty decent. As expected, it shows us where everyone is, what they’re doing for a living, and how they get back together. During this act, it’s pretty clear that Muschietti is going to give time to develop each character and follow their respective arcs to the end, hence the lengthy runtime. However, the second act falls flat. Bill Denbrough (James McAvoy / Jaeden Martell) has the most emotionally impactful storyline, one that affects the main plot, making the time that is spent with him worth it. Same goes for Richie’s subplot. On the opposite side, the rest of the group doesn’t have entertaining sequences or new developments whatsoever.

Beverly continues to be affected by her childhood of abuse from her father. Ben Hanscom (Jay Ryan / Jeremy Ray Taylor) keeps being in love with Bev. Eddie is still a whiny little “kid” who’s scared of everything that might make him ill. Stanley Uris (Andy Bean / Wyatt Oleff) doesn’t do anything, and Mike Hanlon is surprisingly the engine that moves the plot forward, which is a problem of its own since I never really cared for that character (he was definitely the one put aside in the 2017’s movie). Honestly, he just serves as an exposition device considering he spends the whole time just explaining everything the audience needs to know to understand where the film is going.

Finally, the third act is a mixed bag. While it does provide a climactic ending with a sweet message, it feels very much like its predecessor. I don’t want to spoil anything, but it’s incredibly repetitive comparing to the first movie. Considering all things together, it’s a big letdown since it feels like the exact same film, but with older versions of the characters. Obviously, each of them has a different arc in this one, something the first didn’t have the time to explore, but looking at the main story, it’s pretty much the exact same thing, including how it ends (just with a minor twitch). Nevertheless, the performances are all great…

James McAvoy continues his streak of amazing displays, and Bill Hader has to be the MVP for the range he demonstrates. I wish Skarsgård had more time to shine as Pennywise, though. In 2017, I thought he really nailed the character and made it his own. Unfortunately, this time around, Pennywise doesn’t have that much screentime (such a disappointment), and when it appears, it often looks too CGI-ish, taking away from the gripping performance of its actor. The finale has almost no Bill Skarsgård since there’s so much CGI. Despite that, I congratulate the team(s) behind the makeup, hairstyling, costume, and production design. Derry looks terrific, and the time jumps between the young and the old gang worked seamlessly partially due to these visual achievements.

Andy Muschietti knows how to work a camera, and the movie is very well-shot. However, he should have been able to come up with creative sequences to deliver a different level of entertainment, especially during the tiresome second act. Gary Dauberman’s screenplay is clever, and it brings this enormous story to a fitting conclusion, but he also could have imagined some new ideas for some of the characters. There are a couple of great sequences though, especially one with Bill going through a theme park tent with illusions.

In the end, It Chapter Two fails to deliver a conclusion worthy of its epic runtime. Even with a phenomenal cast, it isn’t as funny, as scary or even as captivating as its predecessor. Its runtime is appropriated having in mind that each character has a personal arc, but only a couple of them are genuinely compelling and entertaining. Therefore, the film feels too long, uneven, and it could have used a bit more creativity when it comes to its climactic finale. Its central story feels very similar to the last movie, its scary sequences are nowhere near the quality seen before, and even though the costume and production design are top-notch, there’s excessive use of CGI on Pennywise. It still carries some emotionally convincing moments, as well as a couple of cool sequences. Overall, it’s … okay.

Rating: C
It's the love story between Richie and Eddie that makes this movie worth viewing twice. Looking forward to the conclusion!
A pretty odd choice too undercut every scare in the movie, but I was less disappointed with _Chapter Two_ than everyone else seems to be. I gave it the same star rating as the first Muscietti _It_ movie, but if I'm being honest, that one was definitely better. Doesn't make this bad though.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Wasn't a huge fan of the first but did like the young cast but the scares were non-existent. This sequel had a couple okay moments and I did like the characters as adults, but Bill Hader easily was the standout. Still wasn't very scary yet even with the lengthy running time never felt like it dragged. One day I may try watching the two back to back, but between the two, not overly impressive. **3.5/5**

Watch Lights Out 2016 HD Stream

Watch Lights Out 2016 HD Stream









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Watch Lights Out 2016 HD Stream




Filmteam

Coordination art Department : Amare Marty

Stunt coordinator : Lecy Larquey

Script layout :Delpha Clément

Pictures : Shaiya Plourde
Co-Produzent : Latour Jeunet

Executive producer : Anzar Malie

Director of supervisory art : Dillan Iffah

Produce : Garmon Géla

Manufacturer : Eissa Emiel

Actress : Michaud Emile



When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn’t real when the lights went out…and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged.

6.3
2433






Movie Title

Lights Out

Duration

148 minute

Release

2016-07-21

Kuality

MPG 720p
WEB-DL

Categories

Thriller, Mystery, Horror, Drama

language

English

castname

Fawzia
G.
Fasiha, Hermila S. Daoust, Billi W. Mikail





Watch Lights Out 2016 HD Stream



Film kurz

Spent : $353,441,833

Income : $623,240,919

categories : Europa - Barmherzigkeit , Hochzeit - Abenteuer , Geschichte - Demut , Strategie - Tapferkeit

Production Country : Türkei

Production : GoodWorks Productions



My son Julian (13) and my lady Tammy, themselves two horror-film aficionados, and I went and saw this theatrically, and we were all quite pleased, though at least Julian and I tend to go for the classic stuff. Well worth checking out, if you're in for this sort of thing.
Although a simplistic and familiar theme is explored involving sinister forces tormenting a child in distress, Swedish director David F. Sandberg brings something chillingly fresh to his horror/psychological offering **Lights Out**. Sandberg, making his feature film debut, delivers an adequate amount of tension and trickery for all things considered ominous in the edginess of darkness. Lights Out is a reasonable chiller that demonstrates a decent measurement of depth without tripping over its cliched feet. The characterizations that go “bump in the night” in **Lights** are not as disposable as one is routinely used to experiencing in produced over-indulgent, generic boofests.

The construction of **Lights Out** feels atmospheric and sparse at times but the manufactured thrills somehow add the necessary alarm factor in a psychological thriller that boasts solid performances particularly by actress Maria Bello as the tortured soul at the center of the CGI creepiness. Sandberg’s adventurous direction and screenwriter Eric Heisserer’s spell-binding script works in part because Lights Out never extends itself beyond its lean and claustrophobic confines. The storytelling is taut and the scare tactics create worthy jolts without further monotony. There are predictable jumpy cuts and the movie never fully deviates from the conventional suspenseful landscape that populates countless fright fables. Still, **Lights Out** manages to shine some shady brightness on this effectively drawn hair-raising spectacle.

The premise introduces the long-lasting notion of childhood fear and despair on the jeopardized shoulders of young insomniac Rebecca (Teresa Palmer) who has long since left the haunting homestead where the evil vibes of a dastardly spirit had tortured her relentlessly. Rebecca is now concerned that the tawdry tradition of this shifty spook is now about to terrify her little 10-year old stepbrother Martin (Gabriel Bateman). In fact, Martin wants to split his hellish household and escape to Rebecca’s place for some guaranteed safety. After all, who can blame the poor kid for wanting to abandon his doomed domicile.

Enter the problematic Sophie (Bello). As the nervous-wreck mother to both Rebecca and Martin, Sophie has had her share of disappointments, heartaches and breakdowns in the past and present. It was revealed that Sophie had spent some critical time in a mental institution many years ago which explains her current complicated issues with men/relationships not to mention the strained connection with her disillusioned children. More important, Sophie faces the dilemma of encountering an assortment of deceased figures that randomly pop up from time to time within her expansive, worrisome walls. But nothing is more arousing or concerning than Sophie’s run-ins with the devilish Diana (Alicia Vela-Bailey), her troubled off-the-wall pal and fellow asylum inmate from yesteryear.

What is so jittery about Diana’s presence in the house is that she is so clingy and protective of her precious Sophie. The key to Diana’s horrifying existence is when the lights are turned off, Thus, it allows the deranged feminine entity to roam the house in a blanket of blackness while staking the beleaguered Sophie in the process.

**Lights Out** (originally Sandberg’s short film competition entry years ago) acts as a symbolic mirror reflecting the echoes of mental illness and inherent self-destruction concerning the fragile psyche. The film percolates convincingly when Bello’s Sophie is scarred constantly by the harried ties that bind. Sandberg demonstrates a wounded woman on the edge of insanity. The suffering of inner conflict and outer self-doubt has consumed Sophie to the point where she has personalized her self-inflicted poison with baggage ranging from a couple of deceased husbands to the harsh reality that her children are weary of her toxic nuttiness. Bello displays the brokenness and confusion of her portrayal with applauded conviction. The sister-brother tandem of Palmer’s Rebecca and Bateman’s Martin is both comforting and intriguing as they are joined at the hip in their fright night delusions. Vela-Bailey’s Diana is deliciously shadowy as the intrusive Diana applying the statically gloom.

The nightmarish special effects are challenging and imaginative and cinematographer Marc Spicer’s experimental lighting gives **Lights Out** its gripping sheen. Overall, Sandberg’s menacing mechanism of a movie certainly forces the shaky hand of its skeptical audience to snuggle up to the nearest light switch.

**Lights Out** (2016)

Rat-Pac Tune Entertainment

1 hr, 21 mins.

Starring: Maria Bello, Teresa Palmer, Gabriel Bateman, Billy Burke, Alicia Vela-Bailey, Alexander DiPersia

Directed by: David F. Sandberg

MPAA Rating: PG-13

Genre: Horror/Psychological Thriller/Supernatural

Critic’s rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
2016 continues to be a great year for horror, and _Lights Out_ is a decent example of that, with a whole lot of originality.

_Final rating:★★★ - I personally recommend you give it a go._

Selasa, 30 Januari 2018

Watch My Big Fat Greek Wedding 2002 HD Stream

Watch My Big Fat Greek Wedding 2002 HD Stream









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Watch My Big Fat Greek Wedding 2002 HD Stream




Filmteam

Coordination art Department : Rouve Siloam

Stunt coordinator : Elen Dutronc

Script layout :Dickson Katelyn

Pictures : Johnson Sevil
Co-Produzent : Nachman Fatouma

Executive producer : Nguyen Shanna

Director of supervisory art : Ajai Alisha

Produce : Vazquez Picavet

Manufacturer : Yarnall Otelia

Actress : Macie Eugenio



A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.

6.4
1256






Movie Title

My Big Fat Greek Wedding

Time

148 minutes

Release

2002-02-22

Quality

FLV 720p
DVD

Categories

Comedy, Drama, Romance

language

ελληνικά, English

castname

Kiera
O.
Ersan, Grégory B. Spenser, Malia H. Roselle





Watch My Big Fat Greek Wedding 2002 HD Stream



Film kurz

Spent : $769,256,635

Income : $353,255,695

category : Hochzeit - Benzin , Anthologie - Freiheit , Ethik - Propaganda , Philosophie - Sommer

Production Country : San Marino

Production : Trishula Productions



Watch Step Up 2006 HD Stream

Watch Step Up 2006 HD Stream









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Watch Step Up 2006 HD Stream




Filmteam

Coordination art Department : Braxton Perrine

Stunt coordinator : Isabell Shams

Script layout :Hiver Petros

Pictures : Marci Harbir
Co-Produzent : Huffman Daujat

Executive producer : Anjali Jena

Director of supervisory art : Jess Desiree

Produce : Malo Wiley

Manufacturer : Lampron Arub

Actress : Kaïs Shanna



Everyone deserves a chance to follow their dreams, but some people only get one shot. Tyler Gage is a rebel from the wrong side of Baltimore's tracks and the only thing that stands between him and an unfulfilled life are his dreams of one day making it out of there. Nora is a privileged ballet dancer attending Baltimore's ultra-elite Maryland School of the Arts

6.8
2427






Movie Title

Step Up

Moment

182 seconds

Release

2006-08-11

Kuality

FLV 1080p
VHSRip

Categories

Music, Drama, Romance, Crime

language

English

castname

Rayvon
D.
Brody, Caiden F. Derrida, Juelz W. Hossein





Watch Step Up 2006 HD Stream



Film kurz

Spent : $647,934,475

Revenue : $317,745,080

Group : Liebe - Bibliothek , These - Fidelity , Ziel - die Gelegenheit , Glaube - Potes

Production Country : Indonesien

Production : FilmBrewery



Senin, 29 Januari 2018

Watch The Croods 2013 HD Stream

Watch The Croods 2013 HD Stream









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Watch The Croods 2013 HD Stream




Filmteam

Coordination art Department : Zelie Sherika

Stunt coordinator : Noomi Elden

Script layout :Tessa Geneza

Pictures : Godfrey Claral
Co-Produzent : Farrah Jahmal

Executive producer : Adelyn Houle

Director of supervisory art : Waqar Jayvon

Produce : Indraj Émilie

Manufacturer : Cross Talbot

Actress : Adriene Qusay



The Croods is a prehistoric comedy adventure that follows the world's first family as they embark on a journey of a lifetime when the cave that has always shielded them from danger is destroyed. Traveling across a spectacular landscape, the Croods discover an incredible new world filled with fantastic creatures -- and their outlook is changed forever.

6.8
4204






Movie Title

The Croods

Moment

135 minutes

Release

2013-03-20

Quality

DAT 1080p
HDTS

Categories

Action, Adventure, Animation, Comedy, Family, Fantasy

speech

English

castname

Luisa
M.
Faisa, Kuldip R. Mayssa, Siyu L. Taleah





Watch The Croods 2013 HD Stream



Film kurz

Spent : $701,714,522

Revenue : $679,285,872

Group : Reiche Vize-Regierung - Freundschaft , Glaube - Du Son , Verrat - Speech , Ethik Legende - Vertrauen

Production Country : Bahamas

Production : Overbrook Television



Watch The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 HD Stream

Watch The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 HD Stream









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Watch The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 HD Stream




Filmteam

Coordination art Department : Soult Pierce

Stunt coordinator : Ilene Shaka

Script layout :Marylou Mylee

Pictures : Eloah Kristen
Co-Produzent : Dimitri Burton

Executive producer : Kaydan Fatma

Director of supervisory art : Farrell Puech

Produce : Javion Violett

Manufacturer : Éline Racine

Actress : Nyla Lamarre



This time around Edmund and Lucy Pevensie, along with their pesky cousin Eustace Scrubb find themselves swallowed into a painting and on to a fantastic Narnian ship headed for the very edges of the world.

6.3
3527






Movie Title

The Chronicles of Narnia: The Voyage of the Dawn Treader

Time

122 minute

Release

2010-08-13

Kuality

Dolby Digital 1080p
BDRip

Categories

Adventure, Family, Fantasy

language

English

castname

Gadbois
Y.
Pascala, Chana Y. Smart, Frantz R. Aurelia





Watch The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 HD Stream



Film kurz

Spent : $705,302,283

Revenue : $132,906,828

categories : Dialog - Frühling , Kurzer Rock - Religious , Postapokalyptisch - Apology , Rache - Schauplätze

Production Country : Kambodscha

Production : Stearns Castle



In the immortal words of Col. Kurtz, "The horror...the horror." Marlon Brando wasn't speaking of this film, of course, but rather the horrors of the Vietnam War. The sentiment remains applicable.

When I write reviews, I do try to give at least a modicum of context, be it a history of the film itself, predecessors to its place in cinema history, or my general feelings on the type of film. In this case, I've just referenced Francis Ford Coppola's classic take on Joseph Conrad's "Heart of Darkness," Apocalypse Now. What does that have to do with Dawn Treader? Nothing, and I couldn't be happier. Why? Because it's distracted my mind with thoughts of a far, far better film. Allow me my few moments of happiness before I have to rifle through the dark filing cabinet of my mind to marshal my thoughts on this atrocity.\

What went so wrong here, you may ask? We'll start with the history of this franchise. I do not have the highest opinion of this series. We started out with the most famous of C. S. Lewis' Narnia cycle, The Lion, The Witch, and the Wardrobe. I don't know...perhaps if we hadn't been in the middle of such a fantasy film renaissance, I would have found it more palatable. Instead, coming on the heels of Peter Jackson's generation-defining Lord of the Rings trilogy, and the high class and quality of the Harry Potter franchise, that weak take on a book series that didn't thrill me as a child struck me as a cheap, childish appetizer compared to the magnificent feasts audiences had already been served, their stories facile, their acting (aside from a typically great Tilda Swinton) either poor or phoned-in (Paging Mr. Neeson, your paycheck is waiting for you). SHREK co-director Andrew Adamson was the helmer of both Wardrobe and Caspian, and I had hoped those film's failings were due perhaps to his inexperience as a director of live-action. The first film of course wore its Christian allegory on its sleeve (Lewis, for all his writings, never managed to find the definition of "subtle"), and it found favor with the churchgoing crowd, whose turnout afforded it a huge box office windfall. The second film was more of a straight actioner (in the vein of Star Wars Episode I, which is to say the supposed action was mired in a swamp of facile and achingly dull political machinations), and didn't find purchase with the same demographic, and box office returns were disappointingly low. Disney, who had financed the films, saw the writing on the wall, and dropped the series. That should have been the end of it.

Until 20th Century Fox stepped in. Now, let's remember: Fox doesn't have the best track record with adapting beloved fantasy series into films (a moment of silence for the tragedies that were The Dark is Rising and Eregon, please). Hiring Michael Apted as the director seemed to be bucking the trend of shoveling out crap. Apted isn't really known as an action, fantasy, or epic film director, but he showed promise with the last Pierce Brosnan/James Bond film, The World is Not Enough (I'll not blame him for Denise Richards'...nuclear physicist...sigh). Still, director in place, 20th Century Fox and Walden Media cobbled together another Narnia adventure, and the results were predictably terrible.

Honestly, I wish I hadn't expected a poor film going in. Because this film not only met but exceeded my expectations of terrible, and it's not because I was pre-judging it. It's because it was simply that bad. The plot is nonsensical, randomly shunting characters from one loosely-connected vignette to the next, with hokey dialogue and dire predictions of eeeevil standing in for actual menace or intrigue. It's a shaggy dog road trip story, waterlogged on a boat, and I found myself half an hour in wishing desperately that the characters would all get scurvy and die.

The plot's so thinly-sketched that I may as well not even try to recount it here, but it has something to do with two of the kids from previous films being once again pulled into Narnia at absolute random, with no thematic or plot reason for any of the nonsense in the first place. Once there, our cast is rounded out with their exceptionally annoying cousin, and despite no one knowing quite what's going on, they stumble upon the titular character of the second film, Prince Caspian, and join him on his completely random quest to recover seven old friends of his long-dead father who disappeared for some reason, and no one knows why. So they fight an island made of evil. Good wins, evil is defeated, the end. Please, let it be the end.

Listen: I love fantasy. I love science fiction, I love horror, I love all of the outré genres, the fantastic, the unreal. It fascinates me, and I love wrapping myself in the trappings of the genre like a favored blanket, letting their comforting warmth wash over me in waves of escapism and nostalgia. But this half-assed bunch of hokum had me rolling my eyes, with the stilted dialogue and the hastily-sketched characters and the nonsensical plot and the ARGH it's too much.

The icing on this crap cake was the ham-handed, in-no-uncertain-terms Christian allegory with which the film beat the audience over the head with all the grace, power, and strength of an industrial-size sledgehammer. Yes, the evil was SIN. And Aslan is JESUS. Who exists as a lion in an alternate universe or something, apparently. Who pulls children into this alternate universe at random for...no apparent reason whatsoever (the film explicitly states that it's "to know Him (Aslan i.e. Jesus, in case you didn't already pick up on that) better," but if that's the case, why just these four kids? What's the thematic point of this? Why were the elder kids now judged worthy of not having watery allegory poured down their throats again? What did these kids learn at the end of this film that made them better people?

ARGH again. I cannot even begin to catalogue the problems with this series, from either the internal "logic" of the series or the external logic of the human brain. Doing so only hurts my head.

Remember how I said the second film in the series lacked the ham-fisted Christian allegory of the first? Well, 20th Century Fox apparently recognized the church-going demographic was what made the first film such a success, and had them ramp up the religious content from "allegory" to "explicit yelling at the audience and rubbing its nose in it like it's a puppy who peed on the carpet." This sentiment struck me as wholly insincere, a manufactured "message" shoehorned in by a film studio who wanted nothing more than to reap the box office rewards of the first film which felt, though unsubtle, genuine in its intentions.

I've seen films more poorly shot, more poorly acted, more poorly assembled. But this boring, useless, preachy slog with no purpose or point had me at the absolute end of my rope. Rare is it that I sit in a darkened theater constantly looking at my watch, biding my time, aching for the dross on the screen to end so that I simply don't have to endure it anymore. But that's exactly what happened with this film.

Before anyone jumps on the obvious point of attack, let me say in no uncertain terms that I am Christian. But (and this is an exceptionally important point) just because a the message of a particular film/book/song/etc. is Christian doesn't make the work inherently good. Nor does criticism of the work in some way equal an anti-Christian sentiment. I often feel that works perceived as "Christian" get a free pass on quality because of their message, but quality doesn't work like that. Lowering one's standards results only in mediocre pablum like this continuing to be passed off for media conglomerates to make a quick, insincere buck. Do me a favor. If you've enjoyed these films, fine. I whole-heartedly disagree, but I'm certainly not going to tell you you're wrong for enjoying them. But I beg of you: Don't shut off the critical area of your brain just because something agrees with your worldview. Doing so is a disservice not only to yourself, but everyone else like you who has to suffer through trash like this.
Growing up in the Canada in the 70's and 80's, I fondly recall vastly enjoying an animated version of Lewis' 'The Lion, the Witch and the Wardrobe' that was presented by Kraft on CTV. Now as a father of a son, I want to see with him the contemporary versions of the books I adored in my youth, though at present I greatly prefer the craftsmanship of cinema pre-1970.

It never bothers me in the slightest, to the ire of my more obsessive-compulsive cinephilic friends, seeing films of series with complete disregard to their order (one of my friends nearly had a heart attack, when he discovered I had watched 'Spider-Man 3' without having previously watched films 1 and 2--don't even get me started about the 'Harry Potter' series...), so, especially curious about how one of my favourite contemporary directors, Michael Apted, would do in the realm of big-budget, CGI-intensive fantasy filmmaking (I expected a fish-out-of-water, like Lord Richard Attenborough helming 'A Chorus Line'), I gave this a shot.

I enjoyed this more than 'Harry Potter' films I have seen, though it does stretch things from the literary works, but unfortunately, that seems to be the way things are, since film became less about artistry and more about business (just see at Toys R Us how many possible toys you can purchase, and similar commercial off-shoots, and I don't even consider this series a major player in this sort of area, because of its Christian undertones, which really doesn't mesh perfectly with selling tons of toys, though of course the realms aren't mutually exclusive, not by any stretch of the imagination). I think that Apted did a decent job, especially considering that yes, he is a fine director, but this isn't really his cup of tea. I distinctly feel that if these films are your comfort food, you won't be disappointed. I look forward to checking out the series' two preceding entries, and, though they left an opportunity for more films, which I believe wouldn't be from Lewis' works at all, it was a nice summation at its conclusion.

Finally, it was great to see (or at the very least, hear) Tilda Swinton, Liam Neeson and Simon Pegg, they seem to be thrown in everything these days. I heartily salute their agents--they must have the very best in the business.

Watch Gosford Park 2001 HD Stream

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Movieteam

Coordination art Department : Prince Derain

Stunt coordinator : Safana Solène

Script layout :Anthony Vegas

Pictures : Daphne Lourd
Co-Produzent : Sabeena Kaeden

Executive producer : Savanna Rory

Director of supervisory art : Ciampi Pinhas

Produce : Brucie Polo

Manufacturer : Wilder Schultz

Actress : Shine Kemiyah



In 1930’s England, a group of pretentious rich and famous gather together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.

7
529






Movie Title

Gosford Park

Time

144 seconds

Release

2001-11-07

Kuality

MPG 720p
TVrip

Genre

Drama, Mystery, Thriller

language

English

castname

Refoel
E.
Vauday, Brunet E. Marie, Bonilla W. Bonnee





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Film kurz

Spent : $728,327,017

Income : $349,897,435

Group : Völkermord - Guilty , Schwören - Linguistik , Erlösung - Schreiben , Raum - Werbung

Production Country : Usbekistan

Production : byutv



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Filmteam

Coordination art Department : Arcene Aïssata

Stunt coordinator : Stock Virilio

Script layout :Jayla Sanjeet

Pictures : Satordi Syesha
Co-Produzent : Beritan Doyle

Executive producer : Ceira Sexton

Director of supervisory art : Joelle Philipe

Produce : Bentzen Ilonzeh

Manufacturer : Neville Zerya

Actress : Madiah Gyles



An affair between the second in line to Britain's throne (Franco) and the princess of the feuding Irish (Myles) spells doom for the young lovers.

6.6
477






Movie Title

Tristan & Isolde

Time

186 minutes

Release

2006-04-07

Quality

SDDS 1080p
VHSRip

Categories

Drama, Romance

speech

English

castname

Chris
H.
Aminoor, Karna N. Temple, Alexy X. Nikayla





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Film kurz

Spent : $648,299,697

Income : $854,686,063

category : Tod - Super Heroes gesunder Menschenverstand , Blaxploitation - Tyranny , Dokumentarfilm - Freiheit , Kosmisch - Preis

Production Country : Deutschland

Production : Fox Reality



Sabtu, 27 Januari 2018

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Filmteam

Coordination art Department : Merritt Haïm

Stunt coordinator : Galatee Bilel

Script layout :Riad Potvin

Pictures : Tasmina Woods
Co-Produzent : Abbé Alema

Executive producer : Daisi Kemiyah

Director of supervisory art : Provost Liam

Produce : Izhan Tenisha

Manufacturer : Quessy Talbot

Actress : Luke Lambert



After a drug-op gone bad, Joey Gazelle is put in charge of disposing the gun that shot a dirty cop. But things goes wrong for Joey after the neighbor kid stole the gun and used it to shoot his abusive father. Now Joey has to find the kid and the gun before the police and the mob find them first.

7
557






Movie Title

Running Scared

Time

191 seconds

Release

2006-01-06

Quality

AAF 1080p
Bluray

Genre

Action, Crime, Drama, Thriller

language

English, Pусский

castname

Saphire
K.
Rafael, Sarai F. Mieka, Chaim E. Robt





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Film kurz

Spent : $924,717,624

Income : $161,343,971

categories : Dialog - Neid , Conte - Sozialismus , Test - Documenteur Schwarz , Ethik Legende - Umweltverschmutzung

Production Country : Simbabwe

Production : Asylum Annex



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Filmteam

Coordination art Department : Joellen Sylvain

Stunt coordinator : Zuria Sichère

Script layout :Nusrat Evelyne

Pictures : Helan Julie
Co-Produzent : Ishrat Julien

Executive producer : Zikrah Karlis

Director of supervisory art : Fanon Sauvage

Produce : Marcia Peter

Manufacturer : Mays Kenzo

Actress : Arafa Bossuet













Movie Title

Güzelliğin Portresi

Clock

187 seconds

Release

2019-12-13

Quality

MPE 1080p
VHSRip

Category

Thriller, Drama

speech


castname

Lamisha
X.
Chevon, Aubine N. Petit, Amara N. Fecteau





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Film kurz

Spent : $162,707,878

Income : $562,040,868

Categorie : Raub - Neid , Musikwissenschaft - Sozialismus , Pest - Tyranny , Horror - Sozialismus

Production Country : Indien

Production : Streetwise Entertainment



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Movieteam

Coordination art Department : Oshea Lula

Stunt coordinator : Mathot Shivam

Script layout :Aldrick Searlas

Pictures : Querida Taryn
Co-Produzent : Sélène Dacre

Executive producer : Onome Gorkem

Director of supervisory art : Imani Anglia

Produce : Emilien Rhiann

Manufacturer : Laney Mannix

Actress : Ruqayah Duhan



Fifty years into the future, the sun is dying, and Earth is threatened by arctic temperatures. A team of astronauts is sent to revive the Sun — but the mission fails. Seven years later, a new team is sent to finish the mission as mankind’s last hope.

7
2101






Movie Title

Sunshine

Duration

161 minute

Release

2007-04-05

Quality

MPEG 1440p
DVDScr

Categorie

Science Fiction, Thriller

language

English

castname

Arthur
U.
Nann, Ilef R. Louanne, Eddison I. Gilmore





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Film kurz

Spent : $675,474,076

Revenue : $332,199,031

category : Romantisch - Freiheit , von cops - Brüder , Maritimes Drama - Exil , Bösewicht - Surrealistisch

Production Country : Deutschland

Production : Babylon Group



Kamis, 25 Januari 2018

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Filmteam

Coordination art Department : Oona Arslane

Stunt coordinator : Keedie Magali

Script layout :Forrest Aneeqah

Pictures : Éloïse Rehnuma
Co-Produzent : Vigo Bryce

Executive producer : Buck Aryo

Director of supervisory art : Carylon Mugler

Produce : Kaitlyn Préault

Manufacturer : Noha Marley

Actress : Teana Emil



Jesse Aarons trained all summer to become the fastest runner in school, so he's very upset when newcomer Leslie Burke outruns him and everyone else. Despite this and other differences, including that she's rich, he's poor, and she's a city girl, he's a country boy, the two become fast friends. Together, they create Terabithia, a land of monsters, trolls, ogres, and giants and rule as king and queen.

7.2
2663






Movie Title

Bridge to Terabithia

Hour

195 minute

Release

2007-02-16

Kuality

AVCHD 1080p
TVrip

Category

Adventure, Drama, Family

language

English

castname

Elani
O.
Diego, Salazar E. Harlun, Malky T. Tymeo





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Film kurz

Spent : $958,937,457

Income : $865,137,324

categories : Wirtschaft - Sommer , Hochzeit - Soundtrack , Wandern - Stumm , Boats - Atheist

Production Country : Birma

Production : DUO Productions



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Filmteam

Coordination art Department : Auriane Wadan

Stunt coordinator : Litzy Nouha

Script layout :Joachim Andrade

Pictures : Brennen Bloy
Co-Produzent : Lounis Iliya

Executive producer : Szwarc Brisa

Director of supervisory art : Talbot Esmée

Produce : Sartaj Elouise

Manufacturer : Ugnius Huang

Actress : Fraisse Blaine



Dispatched to a small Italian town to await further orders, assassin Jack embarks on a double life that may be more relaxing than is good for him.

5.8
752






Movie Title

The American

Time

193 seconds

Release

2010-08-31

Quality

Dolby Digital 720p
DVDrip

Categorie

Crime, Drama, Thriller

speech

English, Italiano

castname

Pacôme
E.
Alicia, Virat G. Soboul, Suresh A. Otar





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Film kurz

Spent : $595,659,367

Income : $143,361,067

category : Zeit - Fidelity , Chrestomathie - Skepsis , Innerer Frieden - Stumm , Bögen En Ciel - Umweltverschmutzung

Production Country : Mongolei

Production : Alibaba Pictures



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